2020.10.02 11:38

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Drama

summary: The Kims - mother and father Chung-sook and Ki-taek, and their young adult offspring, son Ki-woo and daughter Ki-jung - are a poor family living in a shabby and cramped half basement apartment in a busy lower working class commercial district of Seoul. Without even knowing it, they, especially Mr. and Mrs. Kim, literally smell of poverty. Often as a collective, they perpetrate minor scams to get by, and even when they have jobs, they do the minimum work required. Ki-woo is the one who has dreams of getting out of poverty by one day going to university. Despite not having that university education, Ki-woo is chosen by his university student friend Min, who is leaving to go to school, to take over his tutoring job to Park Da-hye, who Min plans to date once he returns to Seoul and she herself is in university. The Parks are a wealthy family who for four years have lived in their modernistic house designed by and the former residence of famed architect Namgoong. While Mr. and Mrs. Park are all about status, Mrs. Park has a flighty, simpleminded mentality and temperament, which Min tells Ki-woo to feel comfortable in lying to her about his education to get the job. In getting the job, Ki-woo further learns that Mrs. Park is looking for an art therapist for the Parks' adolescent son, Da-song, Ki-woo quickly recommending his professional art therapist friend "Jessica", really Ki-jung who he knows can pull off the scam in being the easiest liar of the four Kims. In Ki-woo also falling for Da-hye, he begins to envision himself in that house, and thus the Kims as a collective start a plan for all the Kims, like Ki-jung using assumed names, to replace existing servants in the Parks' employ in orchestrating reasons for them to be fired. The most difficult to get rid of may be Moon-gwang, the Parks' housekeeper who literally came with the house - she Namgoong's housekeeper when he lived there - and thus knows all the little nooks and crannies of it better than the Parks themselves. The question then becomes how far the Kims can take this scam in their quest to become their version of the Parks
8,7 / 10
star: Sun-kyun Lee
Director: Bong Joon Ho

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Bong Joon-ho's Parasite takes on the age-old theme of wealth and poverty and human fate and what a take it is. Artistically powerful and captivating, it throws the viewer into the middle of a very modern and ugly problem: stark wealth inequality and how an individual's life is worth only the size of his wallet. Yet, the film shows how fragile these lives are, whether through the invocation of missiles from neighbouring nuclear power (cornered by imperialism like the husband in the basement - a Frankenstein inadvertently or maybe inevitably created by Mr Park) or other hazards from which even the wealthy have no protection.
The film offers a damning critique of capitalism, which benefits the upper classes of the world, and is ultimately tied up with the global hierarchy of power and wealth - a global system that benefits the rich and powerful. The same way as the damned basement-dweller worships the rich Mr Park for what he believes is "feeding him" the working class of the world has been led to believe that it is the Jeff Bezos, Jack Mas, and others who are the wealth creators, who feed the talentless 98. The film is also a direct critique of the colonised mind, which aims at the Korean (and other) society's worship of the capitalist and colonialist West. The obsession with the English language, their replication of the normalisation of the genocide of Native Americans. Indians, references to studying abroad and the relentless pursuit of mastering the English language as essential social capital is not unique to South Korea or culturally closer Asian countries, notably China. It is virtually every other country that is in Muhammad Iqbal's words "have been hypnotized by the West, yet fail to see, like the members of the Kim family did before taking a closer look, that beyond the façade of extravagance and cash, Mr Park is an impotent man and his wife is a naive woman with no distinction from the rest of the society. There must be something rotten in the system then.
The film has sacrifices: the younger daughter dies amidst the drama in the backyard of the bourgeoisie, the poor goes back to the basement. His son gets his Morse-coded message but rescuing him from that place remains a dream. This is a depressing and hopeless take of Parasite on our modern world.
The film sells as a black comedy, but I didn't even smile - not once. This is perhaps I was absorbed by the poignant subtext. Secondly, I don't see a solution is offered. But I welcome the open-endedness: we can choose whether it the Parks family who is the parasite, or the global capitalism of the 2. But, it is the hopeless aspiration of the son, that is to become rich enough to buy the house is built upon the his father's prison, that is the most depressing part? If this is the solution, we are at a deadlock.

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